by osmosis

"very quiet now, we have found our frame."

 Delphinium's title acts as a pretty efficient synopsis, but we'll start there anyways.  The experimental short, written and directed by Matthew Mishory, focuses its lens on the childhood of artist and filmmaker Derek Jarman.  I have to admit that while recognizing Jarman's name in the lexicon of iconic artists (specificaly as a pioneer in gay activism), I had little to no exposure to his work prior to seeing Delphinium.  My experience was therefore unique, in that only later while admiring one of his paintings or a scene from Jubilee, did I retroactively piece together allusions Matthew had made to Derek's work.

The centerpiece of Delphinium (and much of Jarman's own work) is the stunning use of Super 8.  The beautiful image above is one of the film's Super 8 moments.  The rich color and grain transports you back in time, and highlights the rapturous visions that young Derek had as a child.  The contrasting crispness of the digitally shot scenes helps exaggerate the harsh realities of Derek's adolescence. 

Another effective parallel to Jarman's work, is Mishory's use of theatrical set pieces, and false backdrops.  The layered set keeps the viewer fluctuating between reality and artifice - calling into question our suspension of disbelief. 

Delphininium has been featured in film festivals across the globe, and recently won the  Easton Kodak Grand Prize for Best Short Film at this year's US Super 8 and DV Film Festival.  Visit the official site and facebook page for screening info.  Also, be on the lookout for Matthew's upcoming feature, Portland.